Tracklist Hide Credits
| A1 | RemediosComposed By [Violin Part] – Darol Anger |
5:06 |
| A2 | Processional | 3:46 |
| A3 | The Impending Death Of The Virgin SpiritComposed By [Cello Part] – Dan Reiter |
6:02 |
| A4 | Pacific IComposed By [English Horn Part] – Robert Hubbard* |
2:10 |
| B1 | The Bricklayer's Beautiful Daughter | 3:49 |
| B2 | Hawk CircleComposed By [Piano Part] – George Winston |
5:03 |
| B3 | Anne's Song | 3:31 |
| B4 | Passage | 4:25 |
Companies, etc.
- Manufactured By – Windham Hill Records
- Published By – Windham Hill Music
- Engineered At – The Music Annex
- Mastered At – Mobile Fidelity Sound Lab
- Mastered At – Sheffield Lab Matrix
- Pressed By – Record Technology Incorporated
- Mastered At – Record Technology Incorporated – 14880
- Mastered At – Record Technology Incorporated – 14881
Credits
- Cello – Dan Reiter (tracks: A3)
- Composed By [All Compositions By] – William Ackerman
- Design [Graphic Design] – Anne Ackerman
- Engineer [Engineered By] – Harn Soper
- English Horn – Robert Hubbard* (tracks: A4)
- Lacquer Cut By – J.H.*
- Liner Notes – William Ackerman
- Mastered By [Disc Mastering] – Stan Ricker
- Mastered By [Matrix By] – Dick Doss
- Photography By [Cover Photo] – Jerry Marcaccini
- Photography By [Inside Photography] – Ron May
- Photography By [Liner Photo] – Anne Ackerman
- Piano – George Winston (tracks: B2)
- Producer [Produced By] – William Ackerman
- Technician [Digital Recording Systems Consultant] – Roger Pryor
- Violin – Darol Anger (tracks: A1)
Notes
Packaged in a gatefold cover.Engineered at The Music Annex, Menlo Park, CA
Disc Mastering at Mobile Fidelity Sound Labs, Chatsworth, CA
Matrix by Dick Doss, Sheffield Lab Matrix, Santa Monica, CA
Pressings by Record Technology Inc, Camarillo, CA
Vinyl Compound: Quiex, Vietc Inc.
This album was recorded on the Sony PCM 1600 Digital Recording System. The guitar was miked in stereo with two AKG 452 EB microphones. A Neve 8036 console was used in conjunction with an EMT 240 stereo reverberation system. The control room monitors used were UREI 813 Time Align Monitors powered by a BGW amplifier and equalized through two White 1/3 Octave equalizers.
© ℗ Windham Hill Records 1981
All Selections Windham Hill Music BMI
Barcode and Other Identifiers
- Matrix / Runout (Side 1): WHS-D-C1014-A3 J.H. 14880++[dots in all quadrants of the first plus sign]
- Matrix / Runout (Side 2): WHS-D-C1014-B2 J.H. 14881+[dot in upper left quadrant of the plus sign]
- Rights Society: BMI
Other versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| WH-1014 | William Ackerman | Passage (LP, Album, RE) | Windham Hill Records | WH-1014 | US | Unknown |
| WT-1014 | William Ackerman | Passage (Cass) | Windham Hill Records | WT-1014 | US | Unknown |
| 2-VWH-21003 | William Ackerman | Passage (CD, Album) | Windham Hill Records | 2-VWH-21003 | US | Unknown |
| WHP-28002 | William Ackerman | Passage (LP, Album) | Windham Hill Records | WHP-28002 | Japan | 1981 |
| TA-C-1014 | William Ackerman | Passage (LP, Album) | Windham Hill Records | TA-C-1014 | Europe | 1981 |

