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Curtis Fuller - Crankin'h1
Jazz
Performer: Curtis Fuller
Title: Crankin'
Year 2017
Country US
Genre: Jazz
Rating: 4.9
Votes: 377
MP3 size: 1828 mb
FLAC size: 1819 mb
WMA size: 1883 mb
Other formats: DTS MP2 FLAC ASF AA RA ADX

Curtis Fuller - Crankin' mp3 album


Curtis Fuller - Crankin' mp3 album

Tracklist

1 Crankin' 6:53
2 Maze 10:56
3 Black Bath 9:30
4 Ballade 4:52
5 The Spirit 5:35

Companies, etc.

  • Manufactured By – Ultra-Vybe, Inc.
  • Distributed By – Ultra-Vybe, Inc.
  • Phonographic Copyright (p) – Mainstream Records
  • Copyright (c) – Mainstream Records

Credits

  • A&R – Satoru Homma
  • Bass, Bass [Fender] – Stanley Clarke
  • Design – Anzu Matsumoto, Ayumi Sasaki
  • Design [Cover] – Ruby Mazur's Art Department
  • Design Concept [Package Total Design] – Mitsuru Soejima
  • Drums, Percussion [Electric] – Lenny White
  • Electric Guitar – Bill Washer
  • Electric Piano – George Cables
  • Engineer – Carmine Rubino
  • Executive-Producer – Mamoru Ko
  • Liner Notes – Leonard Feather
  • Photography By – Raymond Ross
  • Producer – Bob Shad
  • Tenor Saxophone – Ray Morris*
  • Trombone, Written-By – Curtis Fuller
  • Trumpet – Bill Hardman

Notes

Mastering: The Real Jazz Tribe Studio

Barcode and Other Identifiers

  • Barcode: 4 526180 412366
  • Rights Society (R-172057-1MT): JASRAC
  • Matrix / Runout: CDSOL-45215 MT 461
  • Mastering SID Code: IFPI LI64
  • Mould SID Code: IFPI 2884

Other versions

Category Artist Title (Format) Label Category Country Year
MRL 333 Curtis Fuller Crankin' ‎(LP, Album) Mainstream Records MRL 333 US 1973
SRCS 9396, MRL 333 Curtis Fuller Crankin' ‎(CD, Album, Ltd, RE, RM, Pap) Sony Records, Mainstream Records SRCS 9396, MRL 333 Japan 1998
UPS-585-A Curtis Fuller Crankin' ‎(LP, Album) Mainstream Records UPS-585-A Japan Unknown


Goodman
Clearly can hear the influence of In A Silent Way riffs in Cables' playing on track 2 in particular. The only problem with this release is that it isn't longer. Rewards multiple listenings. Not quite to the extent as the aforementioned second-greatest jazz/fusion album of all time (I don't think, yet anyway), but this certainly is a weird and wonderful record.