» » Marimba Chiapas - Cha Cha Cha Vol.4
Marimba Chiapas - Cha Cha Cha Vol.4h1
Latin
Performer: Marimba Chiapas
Title: Cha Cha Cha Vol.4
Year 1959
Country US
Genre: Latin
Rating: 4.6
Votes: 601
MP3 size: 1961 mb
FLAC size: 1850 mb
WMA size: 1534 mb
Other formats: ASF DXD XM MMF MP1 WAV AU

Marimba Chiapas - Cha Cha Cha Vol.4 mp3 album


Marimba Chiapas - Cha Cha Cha Vol.4 mp3 album

Tracklist

A1 El Manisero 2:20
A2 Las Clases De Cha Cha Cha 2:35
A3 El Tunel 2:10
A4 Patricia 2:15
A5 El Bodeguero 2:27
A6 Triana Morena 2:18
A7 Nunca 2:22
B1 Torero 2:16
B2 Cosita Linda 3:35
B3 Dancero 2:21
B4 Lamento Borincana 2:35
B5 Corazon De Melon 2:45
B6 En El Mar
B7 Oyeme Mama 2:25

Credits

  • Producer – A & R, Sidney Frey

Notes

AF® - Audio Fidelity® A Study in STEREOPHONIC HIGH FIDELITY Sound

Audio Fidelity inc. 770 Eleventh Avenue, New York 19, N.Y.

Printed in U.S.A. Copyright 1959 By Audio Fidelity, Inc.

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Original Plastic inner sleeve Mention :

Audio Fidelity - A Study in HIGH FIDELITY Sound - for those who can HEAR the difference !!!

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Back side of Jacket :

Teach Where CHA CHA CHA come from and How to dance CHA CHA CHA with Foot Moves.

Also mentioned, Sound Recording Specifications :

TECHNICAL DATA ( RIAA )
Total Frequency Range Stereophonic Recording

This High Fidelity Stereophonic Recording was produced featuring the Frey Stereophonic Curtain of Sound technique.

When heard on a balanced playback system, the elements or musicians on the recording will be reproduced in the exact locations, directionally, as the original performance.

This original, positive technique to produce a pure, true Stereophonic effect so that the instruments or elements of the recording are perfectly relocated as to direction of sound is an Audio Fidelity development and is true Stereophonic reproduction.

This recording was made on an Ampex 350-2 with special Electronic Circuity, using Altec, Electrovoice, RCA and Telefunken microphones.

The Masters were cut with an automatic Scully Record Lathe Mounting a Westrex 45-45 cutter with special feedback electronic circuity driven by custom 200 watt amplifiers.

Precision Mastering was done so as to achieve maximum stylus velocity consistent with minimum distortion, resulting in the ultimate in channel separation and realizing the greatest possible signal-to-noise ratio.

While the total frequency range of 16 cps to 25.000 cps on this record may not be within the range of ordinary human hearing, nevertheless inspection of the grooves with a microscope will show the etchings of the upper dynamic frequencies.

It is the opinion of the manufacturer that if these frequencies were omitted from this record a certain warmth of tone that is felt and sensed rather than heard would be lost.

For this reason and to achieve the ultimate in our " Studies in HIGH FIDELITY STEREOPHONIC Sound " we have gone to these extreme electronic lengths.

Although any 33 ⅓ Stereophonic Record playback equipment may be used in playing this recording, it is recommended that playback equipment of extreme wide range and fidelity be used so that the recording may be enjoyed to its utmost.

Low Frequency Limit - 16 cps
High Frequency Limit - 25.000 cps
Crossover - 500 cps
Rolloff - 13.75 DB at 10 KC

Audio Fidelity Records produced and released the World's First Stereophonic High Fidelity record in November, 1957.

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Song B6 duration not mentioned

Sample Record - Not for Sale

Barcode and Other Identifiers

  • Matrix / Runout (Side 1 Label): AFSD 5900-A
  • Matrix / Runout (Side 1 Runout): AFSD # 5900 A - 055 Stereo # 092159
  • Matrix / Runout (Side 2 Label): AFSD 5900-B
  • Matrix / Runout (Side 2 Runout): AFSD # 5900 B - 055 Stereo # 092159
  • Rights Society: ASCAP
  • Rights Society: BMI

Other versions

Category Artist Title (Format) Label Category Country Year
AFSD 5900 Marimba Chiapas Cha Cha Cha Vol.4 ‎(LP) Audio Fidelity AFSD 5900 US 1959
AFLP 1900 Marimba Chiapas Cha Cha Cha Vol.4 ‎(LP, Album, Mono) Audio Fidelity AFLP 1900 US 1959