John R. Pierce - The Science Of Musical Sound mp3 album

Tracklist Hide Credits

A	Waves, Beats, Tuning, And Consonance Music By – Bach*
B	Harmony, Chords, Power, And Reproduction
C	Synthesis Of Musical Sounds
D	Paradox And Illusion

Companies, etc.

• Recorded At – Studios IRCAM
• Recorded At – Stanford University
• Recorded At – CNRS
• Recorded At – Bell Telephone Laboratories, Inc.
• Copyright (c) – Scientific American Books
• Pressed By – Eva-Tone Soundsheets

Credits

• Music By – Diana Deutsch
• Synthesizer [Synthesized By] – Jean-Claude Risset, John R. Pierce*, Max Mathews

Notes

Included in 242-page hard cover book.
Appendix I is a detail description of the recorded musical sound examples.

"Some of the examples were synthesized by Max Mathews and [John R. Pierce] at IRCAM in 1979. Many were created by Elizabeth Cohen at Stanford University, with the cooperation and advice of John Chowning and the assistance of Andrew Schloss and David Jaffe. Diana Deutsch allowed me to use recordings of some of her musical paradoxes, and Max Mathews allowed me to use his brasslike violin sounds. The rest of examples were synthesized by Jean-Claude Risset, using Max Mathew's Music V program, mostly in Marseille (at the Laboratoire d'Informatique et Acoustique, Centre National de la Recherche Scientifique) and a few at Bell Laboratories and IRCAM."

Barcode and Other Identifiers

• Matrix / Runout (A): EV-83033ASTL
• Matrix / Runout (B): EV-83033BSTL
• Matrix / Runout (C): EV-83031ASTL_
• Matrix / Runout (D): EV-83031BSTL_

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
D-1202-A, D-1202-B	John R. Pierce*	Los Sonidos de la Musica ‎(2x7")	Scientific American Books, Scientific American Books	D-1202-A, D-1202-B	Spain	1985