» » Ed Rush - Mothership
Ed Rush - Mothershiph1
Electronic
Performer: Ed Rush
Title: Mothership
Style: Drum n Bass
Year 1996
Country UK
Genre: Electronic
Rating: 4.4
Votes: 440
MP3 size: 1844 mb
FLAC size: 1542 mb
WMA size: 1969 mb
Other formats: VOX MP4 AU XM MP3 FLAC MIDI

Ed Rush - Mothership mp3 album


Ed Rush - Mothership mp3 album

Tracklist

Other Side:
A Mothership
This Side:
B Defect

Companies, etc.

  • Produced At – No U-Turn Studio
  • Mixed At – No U-Turn Studio
  • Published By – Westbury Music
  • Published By – NKS Publishing

Credits

  • Mastered By – George Peckham
  • Mixed By – Nico
  • Written-By, Producer – Ed Rush & Nico

Notes

Written at No U-Turn Studio.
Shouts to Fierce & Feline.

Track B 'Defect' samples stabs from Smart Systems 'Tingler'.

Barcode and Other Identifiers

  • Barcode: 5 021497 408525 >
  • Matrix / Runout (Side A, etched): NUTS-016-A1 THERE IS NO MESSAGE! A PORKY PRIME CUT.
  • Matrix / Runout (Side B, etched): NUTS-016-B1 THE MESSAGE IS.... P.T.O. PRIMED✓

Other versions

Category Artist Title (Format) Label Category Country Year
NUTS 016 Ed Rush Mothership ‎(12", W/Lbl) No U-Turn NUTS 016 UK 1996
NUT 016 Ed Rush Mothership ‎(12", Promo, W/Lbl, Sta) No U-Turn NUT 016 UK 1996


SmEsH
Such an important tune in relation to the first wave of tech-step releases. 'Mothership' just oozes menace and oppressiveness. beginning with a doom laden synth and bass throbs, followed by the trademark break of the genre, a crunching 2-step breakbeat. The track then appears to reach sluggishly towards it's reece bassline breakdown, conjuring up visions of the self-titled, city-sized alien 'mothership' slowly approaching overhead. Seriously classic darkside drum & bass. The flipside, 'Defect' is no less evil either. Opening with a (possibly?) NASA space-walk vocal sample, distorted by radio static ('Drift, drift, drift......Drifting down'), loud bleeps and 2-step breaks. The intro ramps up the menace for over 3 and a half minutes before unleashing a frenetic amen assault on your senses. The amazing thing about this track is the fact that there is very little use of bass in comparioson to other No U-Turn tracks with their reece bassline obssession. Only a few bass throbs in the first part and a bit of 'boom' to accentuate the amens. Pure quality.