» » Skozey Fetisch - Momma:Key
Skozey Fetisch - Momma:Keyh1
Electronic
Performer: Skozey Fetisch
Title: Momma:Key
Style: Abstract, Noise, Experimental
Year 1995
Country US
Genre: Electronic
Rating: 4.7
Votes: 832
MP3 size: 1349 mb
FLAC size: 1375 mb
WMA size: 1623 mb
Other formats: MMF FLAC TTA WMA MP2 VQF AAC

Skozey Fetisch - Momma:Key mp3 album


Skozey Fetisch - Momma:Key mp3 album

Tracklist

1 Momma:Key:Fragment 01 0:34
2 Momma:Key:Fragment 02 3:43
3 Momma:Key:Fragment 03 0:25
4 Momma:Key:Fragment 04 0:39
5 Momma:Key:Fragment 05 3:02
6 Momma:Key:Fragment 06 0:17
7 Momma:Key:Fragment 07 5:44
8 Momma:Key:Fragment 08 4:50
9 Momma:Key:Fragment 09 1:21
10 Momma:Key:Fragment 10 0:51
11 Momma:Key:Fragment 11 0:55
12 Momma:Key:Fragment 12 0:15
13 Momma:Key:Fragment 13 0:09
14 Momma:Key:Fragment 14 6:17
15 Momma:Key:Fragment 15 0:22
16 Momma:Key:Fragment 16 1:10
17 Momma:Key:Fragment 17 0:29
18 Momma:Key:Fragment 18 6:44
19 Momma:Key:Fragment 19 0:58
20 Momma:Key:Fragment 20 0:32
21 Momma:Key:Fragment 21 0:19
22 Momma:Key:Fragment 22 0:13
23 Momma:Key:Fragment 23 3:04
24 Momma:Key:Fragment 24 3:16
25 Momma:Key:Fragment 25 1:14
26 Momma:Key:Fragment 26 2:52
27 Momma:Key:Fragment 27 0:56
28 Momma:Key:Fragment 28 0:34
29 Momma:Key:Fragment 29 3:19
30 Momma:Key:Fragment 30 4:22
31 Momma:Key:Fragment 31 4:42

Notes

Tracks are untitled but CD is fragmented in 31 tracks.

Other versions

Category Artist Title (Format) Label Category Country Year
SR9590 Skozey Fetisch Momma:Key ‎(CD, Promo) Sulphur Records SR9590 US 1995
Phain
This album was recorded using entirly the "musique concrete" cut and splice method of assemlage. Recorded in 1991 on 1/4 track reel-to-reel tape recorders, employing tape loops and over-dubbing rather than multitracking. And all of this with out the aid of any premade effects (digital or analog), in other words, the reverbs and delays heard throughout are created with feedback (tape delay) on the reel-to-reels or naturally occuring reverbrations by suspending microphones in 55 gallon oil drums and performing the music outside of the oildrums in the studio setting.