» » Aux 88 Presents Black Tokyo - Aux 88 Presents Black Tokyo
Aux 88 Presents Black Tokyo - Aux 88 Presents Black Tokyoh1
Electronic
Performer: Aux 88
Title: Aux 88 Presents Black Tokyo
Style: Techno, Electro
Year 2010
Genre: Electronic
Rating: 4.8
Votes: 823
MP3 size: 1990 mb
FLAC size: 1505 mb
WMA size: 1466 mb
Other formats: DXD WMA XM MP1 VOX WMA AC3

Aux 88 Presents Black Tokyo - Aux 88 Presents Black Tokyo mp3 album


Aux 88 Presents Black Tokyo - Aux 88 Presents Black Tokyo mp3 album

Tracklist Hide Credits

1 Intro (Japanese)
Vocals – Erika Tele
1:34
2 Groove Theory 5:18
3 Black Tokyo 5:07
4 Tokyo Drive 4:11
5 Stance (Interlude)
Vocals – Erika Tele
1:05
6 Reel To Real (Club Mix) 5:17
7 Electronic Cinema (Soho Studio Mix) 5:03
8 Electric Underground 5:27
9 Soul Of Black 5:26
10 Stance 5:45
11 Dragon Fly 5:49
12 Kyoto Station 5:04
13 Smoke Screen 5:12
14 Winter In Japan (Original Mix) 3:59
15 Tokyo Telacom 4:17
16 Shadow Dancing 6:16
17 Black Tokyo (Acapella) 0:27

Companies, etc.

  • Distributed By – Wordandsound
  • Phonographic Copyright (p) – Technosis
  • Copyright (c) – Technosis
  • Phonographic Copyright (p) – Tommy Tunez
  • Copyright (c) – Tommy Tunez
  • Distributed By – Diamonds and Pearls
  • Made By – WWW.ILOVEIMPRINT.COM
  • Pressed By – Arvato Digital Services Bertelsmann, USA – J865301

Credits

  • Written-By, Producer, Performer, Other [Conceived By] – Keith Tucker, Tommy Hamilton

Notes

(c)&(p) 2010 Technosis BMI
(c)&(p) 2010 Tommy Tunez

Distributed by Diamonds And Pearls Music in cooperation with Word And Sound.

Barcode and Other Identifiers

  • Barcode: 827170110922
  • Matrix / Runout: www.iloveimprint.com 11289 + + J865301
  • Mastering SID Code: IFPI LY93
  • Mould SID Code: IFPI 1023


Dream
Well, every sour review needs its foil, and I think this album is brilliant. New or revolutionary? Hardly, but I have never expected that EVER from AUX 88's catalogue. If anything, I rely on them like I rely on UR and Submerge to produce great sounding Detroit techno that doesn't forget its roots. On Black Tokyo they abandon the electro-breaks in favor of electro-house, or electro-techno if you like. Who cares how to define it, it's good. The sound is very smooth, and on more than a few occasions reminded me of the Drexcyian project "the other people place" on Warp. There are lyrics throughout, as is common of most AUX 88 albums, but thematically I really liked what they were saying here. It reminded me of an updated version of songs like "Future" and "Technicolor" by Juan Atkins. I think the exact reason I like AUX 88 so much is because they stay true to their roots, while exploring various different kinds of concepts with each album. I admit, I'm jaded about the amount of garbage being released these days that is supposedly being marketed to me as cutting edge electronic music, and I tend to mostly follow the artists from "back in the day" that have a sense of perspective and history, but also a unique artistic vision, as most of this kind of material is still more forward thinking than most of what the "Laptop generation" can muster. AUX 88 I believe has this, and if you like the softer side of Drexcyia, you should really check this album out.
Kalv
I think the only saving grace of this album in my view is the production on it, which is flawless, so cleanly put together & most of the sounds are truly amazing, from some of the pads & drum sounds - cut & managed like a surgeon.But the whole thing seems very 'samey' & partially dated in parts too.The lyrics/spoken word poems in 'Soul Of Black' are a futuristic myriad for those who wish to open their minds. A very nice track.But overall: I'm not sure where AUX 88 are meant to be headed with this release but I'm not up for going to 'Black Tokyo' anytime soon.