» » David Maranha - Marches Of The New World
David Maranha - Marches Of The New Worldh1
Electronic / Rock
Performer: David Maranha
Title: Marches Of The New World
Style: Minimal, Drone
Year 2007
Country Portugal
Genre: Electronic / Rock
Rating: 4.9
Votes: 538
MP3 size: 1416 mb
FLAC size: 1557 mb
WMA size: 1496 mb
Other formats: AAC XM TTA ASF APE DTS MOD

David Maranha - Marches Of The New World mp3 album


David Maranha - Marches Of The New World mp3 album

Tracklist

1 Redemption Torture 8:24
2 Democracy 4:14
3 Oil Crows 8:32
4 Virgins Visions 7:42
5 Infinite March 21:59

Companies, etc.

  • Copyright (c) – David Maranha
  • Mastered At – The Etching Table

Credits

  • Bass – João Milagre
  • Cello – Helena Espvall
  • Drums – António Forte
  • Mastered By – André Gongalves*
  • Organ [Hammond Organ], Violin, Dobro, Illustration [Drawings] – David Maranha
  • Percussion – Tiago Miranda

Other versions

Category Artist Title (Format) Label Category Country Year
gos029 David Maranha Marches Of The New World ‎(File, FLAC, MP3) Grain Of Sound gos029 Portugal 2017


Kanek
'Marches of the new World', record by legendary Portuguese underground figure David Maranha, who has also been putting out music with the mythical Osso Exótico unit for almost 20 years (his previous release was with Patrícia Machás and drone duo Minit as Organ Eye, who put out a self-titled album on the Staubgold label), is his more recent study & advancement in exploring, witnessing and generating new slices of blissful, savaged drone music. Coming from the higher education of minimalist pioneer Yves Klein, with his 'Monotone Symphony' from the late forties, while also being informed by the Tony Conrad/Theatre of Eternal Music-Terry Riley axis, he mainly works with Hammond organ going through various tone & texture altering devices, until he reaches the raw keyboard sound put on tape here. In this record his continuous sound science is given wider possibilities, with the aid of a backing band and collaborators he's invited for the release. Besides the Hammond, Maranha also uses violin and his dobro/resophonic guitar. His rhythm section of João Milagre (bass) and António Forte (drums) is augmented by contributions from cello virtuoso Helena Espvall (free improviser of merit, member of Philadelphia's most celebrated folk troupe in the last few years, the Espers) and Tiago Miranda (member of Lisbon's own current free expression kings, the Loosers, and owner of the awesome Ruby Red Label) on various minimal percussions. The result is a grandiose ensemble sound, intermingled with more sparse numbers, yet another travel into the infinite oscillation trip of pure drone, the admiration of its sound and ritual. With the rhythmic components able to draw up some lyricism that is seldom found in these molds, metrics and dynamics are opened up with some wonderfully disjointed gravitational balance. The keys and strings keep you gliding around the eternal line of infinity with perfect equilibrium and freedom, in these 'Marches' to which Mr. Maranha found the right pace for walking. Fists up, with a direct line to the cosmos, rooted below, forward as always. Pedro Gomes