» » Alex Reece - Pulp Fiction / Chill Pill
Alex Reece - Pulp Fiction / Chill Pillh1
Electronic
Performer: Alex Reece
Title: Pulp Fiction / Chill Pill
Style: Drum n Bass
Year 1995
Country UK
Genre: Electronic
Rating: 4.4
Votes: 836
MP3 size: 1151 mb
FLAC size: 1304 mb
WMA size: 1477 mb
Other formats: DTS ASF AUD AA AIFF MP1 MP4

Alex Reece - Pulp Fiction / Chill Pill mp3 album


Alex Reece - Pulp Fiction / Chill Pill mp3 album

Tracklist

That Side
A Pulp Fiction
This Side
AA Chill Pill

Companies, etc.

  • Recorded At – Acid Lab Studios
  • Copyright (c) – Metalheads Music Ltd
  • Published By – Copyright Control
  • Distributed By – Vinyl Distribution
  • Pressed By – EMI Records

Credits

  • Lacquer Cut By – Stu.*

Notes

Packaged in a generic Metalheadz sleeve. The repress came in a picture sleeve. Recorded at The Acid Lab. Distributed by Vinyl Distribution. Made in England. Copyright Control. © Metalheads Music 1995.

Pulp Fiction samples:
Trumpet from Coolio - Can 'O Corn
Bass from MC Solaar - Devotion

Barcode and Other Identifiers

  • Matrix / Runout (Runout side A, stamped): METH 011 A-02-01-1
  • Matrix / Runout (Runout side AA, stamped): METH 011 AA-1-1-1
  • Matrix / Runout (Runout side A, etched): Stu.

Other versions

Category Artist Title (Format) Label Category Country Year
MET H 011 Alex Reese* Pulp Fiction / Chill Pill ‎(12", M/Print) Metalheadz MET H 011 UK 1995
MET H 011 Alex Reece Pulp Fiction / Chill Pill ‎(12", W/Lbl) Metalheadz MET H 011 UK 1995
none Alex Reece Pulp Fiction ‎(File, AAC, RE, 320) Metalheadz none UK 2007
METH 011 Alex Reece Pulp Fiction / Chill Pill ‎(12") Metalheadz METH 011 UK 1995
METH011 Alex Reece Pulp Fiction / Chill Pill ‎(12", RE) Metalheadz METH011 UK 2007


Wnex
Pulp Fiction was the biggest tune in the scene in 95. Alex killed and the rest is history, when people talk about defining tunes Pulp fiction is in the conversation hands down, all day long.
Llathidan
Perfect number from Alex Reece. The bass lines great, so is the step. A very big tune in '95!
Best West
Throughout late 1994 and into 1995, there were the beginnings of a radical production shift within the Jungle/Drum & Bass scene. I remember this sound being quite divisive at the time.For better or worse, the intricately chopped breaks, murky rave stabs and roughneck ragga vocals were on the wane and a deeper, more militant step had begun to creep in. Earlier tracks such as Alex Reece's own 'Basic Principles' had caught the ear of many big name DJ's, but for many of us it was 'Pulp Fiction' that epitomised this new sound; peppered with smoky jazz horns, melting bass, snapping snares and a detroit-style minimalist sensibility. It was releases such as this that pushed the scene towards a futurist aesthetic; a sound and style that still exists almost two decades later. Game changing material of the highest order.
Chilldweller
Well said , very tru , but I think doc scotts tracks as early as 92 with the original version of lets go was on a simler tip and way way be for its time and be for any one else even bukem and goldie ,alex reece with basic and pulp was a game changer though
breakingthesystem
According to an interview with Alex Reece in the second issue of Muzik, it was Fabio who actually came up with the name of the tune. Fabio had just been to see the film in the cinema and thought that the tune was just like it.
caif
What a classic! Lovely jazzy trumpet sounds, a climatic and hypnotic bassline and woman whispers make "Pulp Fiction" a perfect tune to listen on a Jaguar. As a matter of fact, it couldn't be any other way: Alex has always demonstrated a highly sophisticated musical culture through his brilliant works, and his apprenticeship as a sound engineer can surely explain the way he cares about every single element on his music. A real 'breakthrough'.