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The Field - Yesterday And Todayh1
Electronic
The Field Tech House Minimal 2009 Germany
Performer: The Field
Title: Yesterday And Today
Style: Tech House, Minimal
Year 2009
Country Germany
Genre: Electronic
Rating: 4.2
Votes: 629
MP3 size: 1180 mb
FLAC size: 1107 mb
WMA size: 1439 mb
Other formats: TTA AC3 DMF AUD AIFF ASF MP1

The Field - Yesterday And Today mp3 album


The Field - Yesterday And Today mp3 album

Tracklist

1 I Have The Moon, You Have The Internet 8:02
2 Everybody's Got To Learn Sometime 6:51
3 Leave It 11:37
4 Yesterday And Today 10:08
5 The More That I Do 8:36
6 Sequenced 15:40

Companies, etc.

  • Published By – Kompakt Musikverlag
  • Published By – Intersong USA, Inc.
  • Published By – Warner/Chappell Music
  • Published By – John Stanier
  • Phonographic Copyright (p) – Kompakt
  • Copyright (c) – Kompakt
  • Licensed To – Anti, Inc.
  • Manufactured By – Epitaph
  • Distributed By – Epitaph

Credits

  • Baritone Guitar [Electric], Vibraphone – Johan Grimlund
  • Drums – John Stanier
  • Drums, Bass, Electric Piano [Farfisa], Vibraphone, Baritone Guitar [Electric], Backing Vocals – Dan Enqvist
  • Electric Piano [Farfisa], Backing Vocals – Ola Keijer*
  • Mixed By – Axel Willner, Jörg Burger, Michael Mayer
  • Music By, Programmed By [Buzzprogramming], Electronic Drums [Elektron Machinedrum], Synthesizer [Roland Sh-101], Synthesizer [Roland Juno-106], Synthesizer [Sequential Circuits Pro One], Baritone Guitar [Electric], E-Bow, Glockenspiel, Steel Drums [Steel Pan], Backing Vocals – Axel Willner
  • Photography By – Sonia Alvarez
  • Producer – Axel Willner, John Stanier (tracks: 4)
  • Recorded By – Axel Willner, Johan Grimlund
  • Vocals, Artwork [Logo] – Victor Tarré
  • Written-By – Axel Willner (tracks: 1, 3 to 6), James Edward Warren* (tracks: 2), John Stanier (tracks: 4)

Notes

Recorded in Berlin, Stockholm, and Köln. Mixed in Köln.

In digipak.

©&℗ 2009 KOMPAKT, under exclusive license to Anti, Inc.

Barcode and Other Identifiers

  • Barcode: 045778703326

Other versions

Category Artist Title (Format) Label Category Country Year
KOMPAKT CD 72 The Field Yesterday And Today ‎(CD, Album) Kompakt KOMPAKT CD 72 Germany 2009
87033-2 The Field Yesterday And Today ‎(CD, Album, Promo) Anti- 87033-2 US 2009
KOMPAKT CD 72 The Field Yesterday And Today ‎(CDr, Album, Promo) Kompakt KOMPAKT CD 72 Germany 2009
OTLCD-1231 The Field Yesterday And Today ‎(CD, Album) Octave Lab OTLCD-1231 Japan 2009
KOMPAKT CD 72 The Field Yesterday And Today ‎(6xFile, MP3, Album, 320) Kompakt KOMPAKT CD 72 Germany 2009


BeatHoWin
YESTERDAY AND TODAY is a bit of a come-down for The Field after the stunning FROM HERE WE GO SUBLIME. So while "I Have the Moon, You Have the Internet" and "Leave It" follow the same pattern (loops and variations), Axel Willner tries his hand at some other textures as well, like the steel pans that end the former. But he's not always successful: the vocals on his cover of The Korgi's "Everybody's Got to Learn Sometime" aren't bad, per se, but they are a little out of place. (Besides, NRG still has a lock on the song with their rave anthem "I Need Your Lovin'.") John Stanier from Battles comes in to co-produce the title track, and here you hear the fault lines start to crack. The track begins like a version of "The Deal" but without the oomph, and around the 2/3rds point it simply peters out, while still continuing. "The More I Do" starts off great as well, but ends, curiously, on the steel pan again. The final track, "Sequenced," just seems to go on and on, aimlessly. It's an unfortunately end to an uneven album, one with its high points as well as its low points, definitely.
Burilar
This release let me down. Clearly his technique has not changed, and that's okay because I loved the first album, but something is missing this time around. The loops are more harsh, the sound is abrupt, jarring. The previous album gave us micro-loops and hyper-repetition without being grating or tiresome, the loops were subdued and the tone was relaxed and atmospheric. This album lost the atmospherics. The inclusion of "Everybody's Got To Learn Sometime" seemed an uncreative choice, it's been remixed/sampled many times before already.
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